A review of IAA’s Suzette Who Set to Sea
Authored by Emily Pickering
On October 21, 22, and 23, Interlochen’s musical theatre department put on performances of Australian playwright Finegan Kurckemeyer’s Suzette Who Set to Sea in Phoenix Theatre. This live-only, kid-friendly musical explores Suzette’s life in a small seaside village, where women are forbidden to build boats. From the start, Suzette knows she is destined for something bigger, and when all the fishermen in the town disappear, Suzette sails away for a high-stakes adventure exploring themes courage, dedication, and individuality.
The family-oriented performance was met with lots of laughs and excitement from the younger audience members—which began during a pre-show activity put on by cast members. Much of the set design was innovative—including two dedicated performers waving a blue sheet to mimic waves—with rotating, colorful designs. As evident in their singing, stage choreography, and many jokes, the actors were all devoted to exciting the many kids who attended the show, and their efforts successfully kept the audience engaged and entranced. Despite the small set, the actors were able to quickly switch between scenes without appearing too jarring, and every ensemble actor had a moment in the spotlight. Elaborate sea monster costumes and an innovative final twist in the script were just cherries on top of an already seamless performance.
The musical starred Paige Cook as the Captain and Lily Schmeda as Suzette, with Jaryse Sessions, Christian Roose, and Piper Lodato as Pete, Conroy, and Young Lucille, respectively. The show’s cast was rounded out by Elia Mimikakis, Sadie Sheetz, Addison Duncan, Gus Baldyga, London McKenzie, Felicity Morrison, Madeline Ayala, Ruby Uribe, and Anna Vodden.
The 50-minute show has also been performed by other companies across the country. In Interlochen’s adaptation, directed by Laura Mittelstaedt, the cast was expanded, including a rotating ensemble and revolving set design, created by Stephanie Baugher. In addition, costume design was led by Risa Alecci, lighting design by Jeffery Block, and Music Direction and Composition by Felicity Morrison. Interlochen has also been working to advance accessibility and accommodating needs. Prior to the Suzette performances, an accessibility survey was offered, including options for sensory fidgets and wheelchair seat availability, with ASL incorporated into the show.